![]() ![]() After that, there's a nice small moment when Cora asks Harry not to give up on her, realizing he's the only one who's truly on her side and the only one who's helping her figure out what happened. Harry urges her to push on ignoring the therapist's advice and Cora stays under a little longer, enough to see the guy with the mask, the wallpaper, and someone crushing Maddie's chest with his foot, just like we saw in that nightmare, except this time it wasn't her. She finally agrees and lets the memories swallow her once again, but when things start to get dark, and she starts listening to the song while going to the basement of that house, she wants to stop. At the Storefront Theatre (955 Bloor West). He says he relates to her, to that swamp and being stuck, but I'm pretty sure there's more to it than he wanted to admit in front of the psychologist. DANGEROUS LIAISONS by Christopher Hampton (Red One Theatre). He asks to sit in on her next session and she tells him, if she's going to be so vulnerable in front of him, he at least has to tell her why he cares so much. ![]() The Marquise de Merteuil decides, therefore, to construct a little intrigue for her own amusement and the amusement of her former lover, the. The images Cora recalls could be too confusing but Ambrose starts to piece a lot of things together. Dance review: Dances at a Gathering/The Cellist. In a pair of sumptuous drawingrooms, one in a Parisian mansion, the other in a chateau on a luxurious estate in the countryside surrounding Paris, two aristocrats are very bored. ![]()
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